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FEBRUARY / MARCH 2020  •  MONTANA SENIOR NEWS                                                                   ENtERtAINMENt             PAGE 47

                               The Million-Selling Sloppy Soundcheck




                                                                                                           from the control room, explaining that
                                                                                                           the soundcheck had exactly the raw edge
      BY RANDAL C. HILL                                                                                    that he sought.
                                                                                                               The Kingsmen, understandably, were
          Music critics were never kind to one                                                             incredulous: This piece of garbage would
      of the biggest hits of all time. One writer                                                          become their debut single? Sadly, the
      proclaimed it “a ridiculous piece of junk.”                                                          answer was yes.
      Another grumbled that “it had all the charm                                                              Jerden Records in Seattle released the
      of a clanging hubcap.” Strangely enough,                                                             soundcheck version, which earned some
      the Kingsmen, the band responsible for                                                               airplay on Pacific Northwest radio before
      “Louie, Louie,” felt the same way.                                                                   it fell off the playlists. Somehow, the for-
          The three-verse ditty had originally           The Kingsmen in 1966. Clockwise from lower left:   gotten 45 made its way across the country,
      been a 1956 release by Los Angeles R & B           Lynn Easton, J.C. Rieck, Kerry Magness, Mike Mitchell,   and popular Boston rock DJ Arnie Ginsberg
      singer/songwriter Richard Berry, whose Flip        Dick Peterson. Public Domain. By Scandore/Shayne,   ended up spinning “Louie, Louie” on a
                                                         Billboard page 19 (1966).
      Records single told of a lonely sailor lament-                                                       Friday night feature he called “The Worst
      ing to a bartender named Louie. Berry’s 45         raised the vocalist’s boom microphone             Record of the Week.”
      never cracked the national charts, but the         to 15 feet off the floor, claiming this               Surprisingly,  several  record  stores
      tune lingered on—and on and on—into the            would offer a better “live” feel when             phoned to ask about ordering the disc, and
      early 1960s, where it became a staple of           the Kingsmen recorded.                            soon New York’s Wand Records leased the
      three-chord garage bands throughout the               Things quickly went south when the             Jerden master, and by January 1964, “Louie,
      Pacific Northwest.                                 tape rolled. Ely had to lean back to sing—        Louie” sat at Number Two on Billboard’s
          The Kingsmen were a Portland, Oregon,          shout, really—up to the microphone far            Hot 100 chart.
      rock quintet fronted by Jack Ely. Ken Chase,       above  him,  resulting  in  a  slurring  of           When some listeners erroneously
      the Kingsmen’s manager, provided work for          Berry’s simplistic lyrics. Drummer Lynn           claimed that “Louie, Louie” contained filthy
      the outfit at a teen dance club he owned.          Easton  lost  the  beat  partway  through.        lyrics, two FBI agents visited Richard Berry,
      On a whim one night, the group played              And, following the instrumental break, Ely        who later explained with a chuckle, “They
      a nonstop 90-minute set of nothing but             came in too soon on the song’s final verse        came to the conclusion that the singer’s
      “Louie, Louie.” The dancers went wild and          and had to restart it. After two excruci-         words were indecipherable.”
      even demanded more. Chase recognized               ating minutes, “Louie, Louie” mercifully              “I was never contacted about the lyrics,”
      the song’s potential for the Kingsmen and          ground to a halt.                                 Ely grumbled in a postscript. “Nobody ever
      scheduled time at Northwest Recorders, the            Then came Chase’s jaw-dropping                 wanted to talk to the guy who actually sang
      only recording studio in Portland.                 announcement. “That’s it! That’s the              the supposedly dirty words.” MSN
          When a soundcheck was ordered                  take I want!” he enthused as he bolted
      to test the microphone levels, Chase
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